I got my new screen, 24 inches of Eizo goodness. It's rather huge, as in otherwise than screen size, but I'm liking it. The EcoView or whatever it's called auto-brightness seems to do it's trick: Haven't had a moment thinking the screen's too bright. One of the reasons I got it was my interest for said feature, as well as the fancy folding stand, which makes it possible to place the screen itself just at the front edge of the stand foot. Something sort of crucial for me, as I need to be able to have the screen as close to me as possible. Well, with this huge size it's not necessary anymore but I do appreciate have some space to type in too without displacing my shoulders to fit my arms in.
Mics were good, the four I tried being Shure SM58, Audix OM2, AKG D5 and EV N/D767a. In short, the Shure is nice but needs proximity. Not much room to go around there. The Audix was nice, good pickup and all, probably my favourite of the bunch. The AKG was also nice, picked up from a longer distance, rivals the Audix sure. The EV didn't really leave any impression at all. It was alright, but nothing to write home about I guess.
For the testings I had to MacGyver myself a mic stand, but nothing a little creativity can't do. A tripod, a plastic wrapper and a whole lot of duct tape did the trick.
My guitar recording for a song a friend of mine and I have been working on for quite a while took a turn to a lot easier direction as I realised I've got a StealthPlug, a little USB device which's one end goes to the computer and the other goes to the guitar (for amp modeling software) or to an amp (apparently) and the input can be taken in through the ASIO driver. The easing bit versus a standard cable in the soundcard's mic input is that using Sonar I don't have to reconfigure it every time I want to change what I'm recording. I wouldn't need to do anything at all if I figured out how to get the guitar signal in decent through the 0202 as it's been a bit too loud so far. But now it's just a simple restart of Sonar that does the trick. Still bothersome, but not as much as with changing driver types back and fourth to fix a chord. I didn't try changing it on the fly, but I have my doubts it'd work. Sonar wants to get restarted after changing about any audio settings anyway.
I'm familiar with Sonar from the past, and figuring Cubase was not too much fun, so despite being told Cubase is easy I sticked with Sonar. The LE version that came with the EMU 0202 is just dandy apart from one little detail: it doesn't have a graphic equalizer or a very clear compressor. Not that I'm too well versed in compressors, but I just couldn't figure out the on in it. I got what I needed done with the four point parametric EQ with decent results, but I know a proper graphic one would be so much better. I need to plunge into the world of free plugins, it seems. I've just been a bit too lazy for that.
In the process of recording both clean and harsh vocals I learned I'm somewhat off-note most of the time. It doesn't sound absolutely horrible, but there's enough room for improvement to fit a brontosaurus.
So I'm venturing into improving my pitch a bit. Googling on the subject is interesting. A lot of completely opposite opinions around, and some rather impressive finds also. I found an online pitch training program and as they're all saying I did notice the difference right off. It does work! I might be barred recognizing colours, so I'll learn recognize notes instead. It's just as useful a skill, atleast in my chosen set of hobbies.
If there are any obvious missing H's in the text I blame the keyboard. The H key on this one is horrible. Almost as if the keyboard was over-zealously French...
